Proudly presented by EQ Bank, Telegenic and House of VR Toronto, Project H.E.A.R.T. will be showcased amongst six other new media artists and work as part of The Artist Project, Toronto February 20-23 2020.
Hello Montreal! You can experience Project H.E.A.R.T. at Elektra Festival 2019 in Montreal from June 7-15!
Location: Perte de Signal 5445 Avenue de Gaspé local #107, Montréal, QC H2T 3B2, Canada
Wagner James Au, official blogger for Second Life, included biosignal-controlled VR project Project H.E.A.R.T. in his 2018 roundup of most exciting innovations in AR, VR and AI! Project H.E.A.R.T.’s innovate incorporation of emotion into gameplay was included among such exciting innovations such as MICA, Magic Leap’s Eerily Human AI Avatar Who Looks You In The Eye, an AI basketball player that “learns” how to dribble a ball, and technology that allows for shadows and reflections of real objects to appear in AR spaces.
Project H.E.A.R.T. is featured alongside the amazing work of Skawennati on the Canadaland podcast The Imposter, where host Aliya Pabani speaks to Erin Gee about virtual worlds, emotional physiology and militainment.
Click the following link to listen to the podcast!
At the invitation of the Goethe-Institut curators Tina Sauerländer and Erandy Vergara have selected VR works for this year’s Toronto Digifest, including two recent pieces by Berlin-based Canadian artist Li Alin and Montreal-based artist Erin Gee in collaboration with South Korean-born, US-based artist Alex M. Lee. The artists use humor and irony to engage in controversial topics: emotions in first-person shooter video games and war in the case of Gee, and a futuristic exploration on human reproduction in technology-oriented times in the case of Alin.
April 26 -28, 2018
25 Dockside Dr
ON M5A 1B6 Toronto
The audience itself explores Gee’s H.E.A.R.T., a virtual work where you have to control your emotions to control the leading character in a war-related VR game, as well as Alin’s Enter Me Tonight, a VR environment engaged with issues on human reproduction, economy, biology, pornography and technology.
In a contextualizing event, the curators will speak about the history of VR and current trends and critical perspectives on this technology.
Berlin-based Tina Sauerländer works as an independent curator and writer. With her exhibition hub peer to space she has been organizing and curating international group exhibitions in various institutions throughout Europe. She currently deals with the artistic self-staging in digital art as a PhD candidate at the University of Art and Design in Linz, Austria.
Erandy Vergara curates and writes about contemporary and media art. Her main research interests include feminism, global art histories, curatorial studies, postcolonialism and critical race studies. She earned a MA at Concordia University and a PhD in Art History at McGill University.
Toronto’s Digifest is a tech festival and startup event, organized annually by the Digital Media and Gaming Incubator at George Brown College, bringing together thought leaders, entrepreneurs, designers, students and creatives engaged in the interactive, gaming and design industries.
// lonely avatar is an exhibition which investigates the use, meaning, and expressive potential of avatars in the contemporary digital landscape. “Lucid Dreaming” ruminates on the emptiness of the virtual avatar whilst “Project H.E.A.R.T.” involves filling that empty avatar with your emotion through a specially designed biosensor. Both projects follow a trajectory of thought in regards to the metaphorical potential of avatars in the virtual space. Curated by Frank Yefeng Wang, this show features works by Alex M Lee commissioned by Trinity Square Video in Toronto, ON and a project made in collaboration with Canadian artist Erin Gee.
Opening reception: 5-8pm
Artist Lecture: 7-7:30pm
The Chazan Family Gallery
Alex & Ani Hall
Rhode Island College
600 Mt. Pleasant Ave
Providence, RI 02908
Wagner James Au, consultant and author of “The Making of Second Life” (
Project H.E.A.R.T. is featured in a superb collection of VR works on the website radiancevr.co
If you find yourself looking for great examples of VR art, we highly recommend browsing the works on this website!
“Radiance is a research platform and database for VR art. Its mission is to present artists working with VR from all over the world to create visibility and accessibility for VR art and for faster adoption of virtual technologies. The platform works closely with artists, institutions and independent curators to select the highest quality of virtual art for public institutional exhibitions.”
Ammerman Center for Arts and Technology
Project H.E.A.R.T. will be featured in an exhibition at Hygienic Gallery, New London, Connecticut, as part of the Ammerman Center for Arts and Technology 16th Biennial Symposium for Arts and Technology.
The Ammerman Center for Arts and Technology 16th Biennial Symposium
February 15 – 17, 2018
The Ammerman Center for Arts and Technology at Connecticut College is pleased to present “Intersections: the 16th Biennial Symposium on Arts and Technology.”
The aim of the symposium, now in its thirty-second year, is to create a forum for multidisciplinary dialogue at the intersection of arts, technology and contemporary culture. The symposium brings artists and researchers from a wide range of fields together to engage, interact and share ideas as they present new works, research and performances in a variety of formats. Featured events include a keynote address by Krzysztof Wodiczko, Featured exhibition by Natalie Bookchin, several commissioned multi-disciplinary works, panel discussions and paper presentations, workshops, gallery exhibitions, music concerts, installations, screenings, public interventions and live media performances.
Project H.E.A.R.T was featured in the Winter 2018 edition of Canadian Art magazine. The exhibition review for the Worldbuilding exhibition curated by John G Hampton and Maiko Tanaka at Trinity Square Video was written by Tatum Dooley. According to Dooley:
“The gamification of our bodies renders the physical form void, replaced by screens where our bodies and emotions can be morphed and manipulated. Perhaps the only way to create art with technology as advanced and recent as VR is to reckon with its potential consequences.
Gee’s project, the most realized out of the four artists in the exhibition, masters this reckoning. I spoke with Gee in the lead-up to the exhibition, and she explained the conceptual backbone of the piece. “I’m working through questions of emotional sincerity when it comes to self-help. In theory, if you can technologically master your emotions, if you can just make yourself excited, then you can make yourself a better, happier person. I don’t know how sincere that is…”
Click here for the full article: VR and the Failure of Self-Help Technology